In the late 19th Century, a movement known as the Hebrew Roots was born. This movement teaches a wide variety of doctrines that differ from Biblical Christianity. In this film, we go face to face with the members of the Hebrew Roots to gain a full understanding of their beliefs.

Lost short film from Georges Méliès.

Devrai depicts a story of a man who suffers from schizophrenia and is struggling to come to terms with his illness and the frustration of his helpless sister.

It's Easter in the beach house of a Chilean well-to-do and nowadays family. A self-centered and successful father, a disoriented mother and a son overshadowed by his successful father. The three of them, wait for the arrival of the son's first official girlfriend; a disturbing and rebellious young lady who will invade the house with her powerful sexual load and other "gifts", breaking loose an emotional cataclysm with no stepping back.

Colonel Maurice Taylor of the Royal Flying Corps is hopelessly injured in an airplane crash immediately following his marriage to Stella. Maurice is non-functional in most of the physical areas of marriage that count, but Stella attends to his other needs faithfully for three years. Then his brother, Colin, shows up from South America, and he and Stella fall passionately in love and are making plans to run away together. Mother Taylor is aware of the romance, as is Nurse Weyland, who is secretly in love with Maurice, and now hates Stella for her careless attitude toward Maurice's patiently-borne sufferings. Maurice is also aware of the affair. He has a talk with his wife and brother. Complications arise.

A caring man finally gets out of his way to hunt down the love of his life after her sudden attitude switch and unbearable silent treatment.

这部英国电影讲述了加拿大历史学家丹·吉布森（Dan Gibson）的故事，他发现了惊人的新考古证据，表明麦加（Mecca）并非伊斯兰教最初的圣城。

暂无剧情简介

Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. “The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

Directed by Erle C. Kenton. With Anita Stewart, Huntley Gordon, Gaston Glass, Chappell Dossett.